Lifting the lid on brutal wars in
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Reviewed by Jay Woolrich |
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Two strands run through John Pilger’s debut feature film. The first tells the story of the
The second, combining interviews with
Central to this process is the question of
“To have a revolution without crashing against the empire it’s impossible.” Pilger provides an insight into the human cost of the US-supported coup in
Interviews with the victims of US-sponsored terror in
Most notable of these is ex- CIA agent Duane Claridge, a key player in the Contra war, whose utter indifference to the mayhem caused by the Agency is a fine example of imperial hauteur and thuggishness. Claridge makes a perfect witness for the prosecution. But Pilger’s film is not just an account of
Although much of this material is taken from an earlier film, “The Revolution Will Not Be Televised”, it’s good to see the events covered in a mainstream feature. Pilger weaves his interview with Hugo Chavez into an account of the grassroots changes taking place in the barrios, incorporating the voices and lives of ordinary people into the fabric of his film. And it is to these popular voices that he turns in his account of events in
This film does for Latin
A powerful movement of resistance is sweeping the region, fuelled by the courage and hope of ordinary people. Our task, Pilger concludes, is to engage with that resistance. This film is a weapon in the struggle. |
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